Compiled two years after a 1974 exhibition which stressed the influences operating on an artist and his sitter, this is not intended to be a study of the aesthetics of engraved portraits, but of the unique relationship between painter, engraver and subject, and the social pressures and conventions which affected all three. With 200 black-and-white illustrations of paintings and engravings in the Scottish National Portrait Gallery. By Sara Stevenson.

First Edition. Softback, 127 pages.