{"title":"Books","description":"\u003cspan data-mce-fragment=\"1\"\u003eStudies in Photography Books is committed to bringing you high-quality visual arts publications published in partnership with Edinburgh University Press, within its Art and Visual Culture section\u003c\/span\u003e","products":[{"product_id":"strategy-get-arts-35-artists-who-broke-the-rules","title":"Strategy: Get Arts. 35 Artists Who Broke The Rules","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStudies in Photography's first book publication is also the first publication to consider in detail the formation and impact of the \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003elandmark \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eexhibition \u003ci data-mce-fragment=\"1\"\u003eStrategy: Get Arts \u003c\/i\u003e(\u003ci data-mce-fragment=\"1\"\u003eSGA\u003c\/i\u003e), staged at Edinburgh College of Art (ECA) as part of the Edinburgh Festival in 1970.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e During \u003ci data-mce-fragment=\"1\"\u003eSGA\u003c\/i\u003e, the work of 35 post-war artists, based in the dynamic ‘Kunststadt’ (art city) of Düsseldorf, several of them now canonical figures, including Joseph Beuys, Gerhard Richter, Blinky Palermo, and Günther Uecker, transformed the college into a ‘total work of art’ experience. At the invitation of Richard Demarco, instigator of \u003ci data-mce-fragment=\"1\"\u003eSGA \u003c\/i\u003eand Director of the Edinburgh Festival’s visual arts programme, the ‘\u003c\/span\u003e\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003eDüsseldorfer Szene’\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e arrived in person, effectively staging a provocative takeover of ECA that grabbed the attention of the British press. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten and edited by Christian Weikop, and featuring guest contributions by other academics and curators, the publication includes photographs by Monika Baumgartl, George Oliver, and Richard Demarco, many never published before.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eHardback with dust jacket.\u003cbr\u003e232 Pages\u003cbr\u003e165 Black\u0026amp; White Photographs\u003cbr\u003e15 Colour Photographs\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e‘an invaluable work of reconstruction […] a unique event in Scotland’s exhibition history, vividly documented by Weikop and illustrated with evocative photographs by [George] Oliver and others […] Demarco’s voluminous archive acts as the basis for Weikop’s prodigious research’. –  Richard Calvocoressi, ‘A landmark exhibition held at Edinburgh College of Art in 1970 is given overdue scholarly attention’ \u003cem\u003eThe Burlington Magazine\u003c\/em\u003e (Dec 2021) \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e‘Christian Weikop’s forensically researched new book does much to reclaim SGA's seismic impact. This is realised through a series of essays that chart the before, during and after of the exhibition […] Through its words and images, \u003cem\u003eStrategy: Get Arts – 35 Artists Who Broke the Rules\u003c\/em\u003e marks a moment when Edinburgh fleetingly opened itself up to the world beyond. Half a century on, the force of nature it hosted resonates still. – Neil Cooper, ‘Germany Calling!’ \u003cem\u003eScottish Art News \u003c\/em\u003e(Oct 2021) \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003e“Enthralling [...] Weikop’s book serves as a retrospective souvenir of the Strategy Get Arts exhibition. Indeed, for sheer exuberance and artistic panache it rivals the original over-sized catalogue.” \u003c\/span\u003e\u003cspan\u003eMario Relich, 'Richard Demarco, Joseph Beuys and the Düsseldorf Connection' \u003c\/span\u003e\u003cspan\u003e\u003ci\u003eScottish Affairs\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e (Aug 2022)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/en3TclvGvBc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMembers! Use code MEMBER40 to receive 40% off In Strategy Get Arts! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOT A MEMBER YET? \u003cbr\u003eSimply add \u003ca href=\"https:\/\/studiesinphotography.com\/products\/digital-membership\" data-mce-href=\"https:\/\/studiesinphotography.com\/products\/digital-membership\"\u003eDIGITAL\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eOR\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/studiesinphotography.com\/products\/full-membership\" data-mce-href=\"https:\/\/studiesinphotography.com\/products\/full-membership\"\u003eFULL MEMBERSHIP\u003c\/a\u003e to your cart alongside Strategy Get Arts and use the MEMBER40 Code to get your discount instantly.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":39766274179210,"sku":"SGA","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/products\/SGAFrontCoverfinal.jpg?v=1628931422"},{"product_id":"surveying-the-anthropocene","title":"Surveying the Anthropocene","description":"\u003ch4 data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eStudies in Photography are delighted to present this thought-provoking, Saltire Award winning, combination of visually powerful imagery and comment\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIncludes 260 stunning photographs by more than 50 international artist-photographer contributors\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLead essay by Patricia Macdonald \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFeatures an interview with George Monbiot by Dan Bailey\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIncludes essays by Robert Macfarlane, Tobia Bezzola, Barbara Bloemink, Owen Logan, Kate Brown, Siobhan Lyons, Andrew Simms, Natasha Myers, Ayelen Liberona, Jared Diamond, Leslie Hook, Adam Nicolson\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003e   \u003c\/i\u003e\u003c\/strong\u003e\n\u003cdiv style=\"position:relative;padding-top:max(60%,326px);height:0;width:100%\"\u003e\u003ciframe allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"true\" style=\"position:absolute;border:none;width:100%;height:100%;left:0;right:0;top:0;bottom:0;\" src=\"https:\/\/e.issuu.com\/embed.html?d=surveying_the_anthropocene\u0026amp;u=studiesebook\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eSurveying the Anthropocene\u003c\/i\u003e presents a range of approaches to image-making concerning the environment by some of the best artist-photographers working worldwide, alongside texts by some of the most illuminating writers on environmental questions, at a pivotal moment in the human relationship with the planet.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eContributing photographers:\u003c\/strong\u003e\u003cbr\u003eJack Aeby, Antoine d’Agata, Benoit Aquin, Mandy Barker, Olaf Otto Becker, Daniel Beltrá, Alex Boyd, Marilyn Bridges, Alicia Bruce, David Buckland, Edward Burtynsky, Anne Campbell, Thomas Joshua Cooper, Cortis \u0026amp; Sonderegger, Dalziel + Scullion, Pedro David de Oliveira Castello Branco, Bryan Debus, Susan Derges, Terry Evans, Tim Flach, Hamish Fulton, Sophie Gerrard, Lorne Gill, Emmet Gowin, Alexander Hamilton, J.J. Harrison, Louis Helbig, Zig Jackson\/Rising Buffalo, Chris Jordan, Aleksandr Kupny, Chrystel Lebas, Ayelen Liberona, Timo Lieber, Owen Logan, Patricia \u0026amp; Angus Macdonald, Pradip Malde, Katie Blair Matthews, Meryl McMaster, Gideon Mendel, Richard Misrach, Fabrice Monteiro, Simon Norfolk, Susanne Ramsenthaler, Paul Souders, Jamey Stillings, Thomas Struth, Timm Suess, Klaus Thymann, Chris Wainwright, Greg White, Pinar Yoldas; plus scientists and photographers, some unnamed, from: Federal government of the United States; United States Department of Energy; Centers for Disease Control and Prevention, USA: Hannah A. Bullock; Azaibi Tamin; NASA: including Jeff Schmalz (MODIS)         \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eContributing writers:\u003c\/strong\u003e\u003cbr\u003ePatricia Macdonald (Editor and author of Introductory essay), Dan Bailey, Tobia Bezzola, Barbara Bloemink, Kate Brown, Jared Diamond, William A. Ewing, Jared Farmer, Willis E. Hartshorn, Leslie Hook, Siobhan Lyons, Robert Macfarlane, Bill McKibben, George Monbiot, Pete Moore, Jason Arunn Murugesu, Natasha Myers, Adam Nicolson, Andrew Simms\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAbout the Editor:\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePatricia Macdonald BSc PhD FRSE FSA(Scot) FRSA HonFRSGS HonFICS is an environmental \/ cultural-landscape researcher, writer and academic (since 2004 Honorary Fellow, University of Edinburgh \u0026amp; Edinburgh College of Art) and an award-winning artist-photographer whose powerful, boundary-crossing environmental aerial imagery – made in collaboration with her partner Professor Angus Macdonald of the University of Edinburgh – is commissioned, exhibited and published internationally, spanning fine-art and editorial contexts. She is the author \/ co-author of ten books \/ catalogues, including \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShadow of Heaven\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (1989); \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOrder \u0026amp; Chaos\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (1990); \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eViews of Gaia \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e(1992); \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOnce in Europa \/ Einst in Europa\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (1999\/2000, with John Berger); \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAirworks\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (2001); and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Hebrides: An Aerial View of a Cultural Landscape\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (2010, with Angus Macdonald).\u003c\/span\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMembers! Use code MEMBER40 to receive 40% off In Surveying the Anthropocene! ! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOT A MEMBER YET? \u003cbr\u003eSimply add \u003ca href=\"https:\/\/studiesinphotography.com\/products\/digital-membership\" data-mce-href=\"https:\/\/studiesinphotography.com\/products\/digital-membership\"\u003eDIGITAL\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eOR\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/studiesinphotography.com\/products\/full-membership\" data-mce-href=\"https:\/\/studiesinphotography.com\/products\/full-membership\"\u003eFULL MEMBERSHIP\u003c\/a\u003e to your cart alongside Surveying the Anthropocene and use the MEMBER40 Code to get your discount instantly.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":40117239513226,"sku":"","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/products\/unnamed.png?v=1661121373"},{"product_id":"in-search-of-the-blue-flower","title":"In Search of the Blue Flower - Alexander Hamilton and The Art of Cyanotype","description":"\u003cp\u003eBook ONE of our new Scottish Photographic Artists Series:\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"\u003e\u003ciframe src=\"https:\/\/e.issuu.com\/embed.html?d=look_inside_blue_flower\u0026amp;hideIssuuLogo=true\u0026amp;hideShareButton=true\u0026amp;u=studiesebook\" style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLook Inside\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn Search of the Blue Flower, Alexander Hamilton and The Art of Cyanotype\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe first book in the Scottish Photographic Artists Series celebrates the 50-year career of the artist \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlexander Hamilton. His work within the medium of cyanotype has led to international exhibitions, residencies, and public art projects. The book charts his beginning, from his early inspiration of the Caithness landscape, to his time at Edinburgh College of Art and the impact of the landmark exhibition \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eStrategy: Get Arts \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e(1970), where he assisted artists such as Joseph Beuys, Stefan Wewerka, and Blinky Palermo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHamilton recounts his first residency on the remote Island of Stroma in the Pentland Firth in 1973, and his journey takes us to New York and Paris, and then returning to establish his studio in Scotland. Throughout this period, he has sought to work with plants; to share their stories by revealing their unique presence with the medium of cyanotype. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe book has contributions from leading curators and academics who have written about his work, including Mike Ware, James Berry, Richard Ovenden, Christian Weikop, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eVanessa Sellars, Euan McArthur, Julie Lawson, Gemma Rolls-Bentley, Howard Hull, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eJaromir Jedlinski, Piotr Tryjanowski, Christine Gunn, and Sara Stevenson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe publication contains a comprehensive selection of his unique cyanotypes, starting from the beginning of his engagement with the medium in 1971, to the work he completed at a residency in 2018. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt is a lavishly illustrated book of 168 pages with 136 colour illustrations. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlexander Hamilton creates stunningly beautiful works of art. His photography has, for decades, explored the potential of the cyanotype process. This approach, rooted in the pre-history of photography, uses photosensitive paper and solutions that are exposed to sunlight. The results can be serendipitous but Hamilton’s metier, his extraordinary skill, crafts the most subtle and exquisite images.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘In Search of the Blue Flower’ foregrounds Hamilton’s wonderful cyanotypes. The imagery is complemented by a self-penned essay that details his remarkable history as an artist, and the intellectual roots of his work. A number of related essays by academics, scholars and curators completes this memorable publication. A rightful tribute to an exceptional artist.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cstrong\u003eDr Tom Normand HRSA\u003cbr data-mce-fragment=\"1\"\u003eHonorary Research Fellow\u003cbr data-mce-fragment=\"1\"\u003eSchool of Art History\u003cbr data-mce-fragment=\"1\"\u003eUniversity of St Andrews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMembers! Use code MEMBER10 to receive 10% off In Search of the Blue Flower! \u003c\/strong\u003e\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":42903555506314,"sku":"BLU1","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/products\/InSearchBlueFlowerCover.jpg?v=1665656213"},{"product_id":"dreaming-difference-david-williams","title":"Dreaming Difference - David Williams","description":"\u003cp data-mce-fragment=\"1\"\u003eDreaming Difference is a 176 page book, lavishly illustrated with colour and black and white images, signed by the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this much anticipated retrospective publication, a glorious gallery of photographs and photographic projects allows you to step inside David Williams’ world and to appreciate its complexity and passion. This beautiful book is full of creative imaginings and philosophical meditations that will reward repeated visits.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWilliams provides a vivid biographical account of his creative development, identifying pivotal influences including an abiding, evolving interest in non-duality. He outlines key moments in a calling that saw him propelled from a career as a musician, to a vocation as an acclaimed photographic artist. Williams’ essay is complemented by an appreciation of his work by Tom Normand, the photo-historian and author of ‘Scottish Photography – a history’. Academic and critical comments on his work expand the appreciation of Williams’ oeuvre.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDavid Williams is an Edinburgh-based photographic artist. He was Head of Photography at Edinburgh College of Art, University of Edinburgh, retiring from ECA in 2017. Prior to becoming involved in photography he was a professional musician and songwriter, employed by Ringo Starr’s publishing house. Williams’ intensely lyrical, visually captivating work is exhibited across the globe and held in various private collections. His photographs have been published and anthologised throughout Europe, in the USA and in Japan. He has been the recipient of numerous prizes and awards. Most notably he was presented with the BBC ‘150 Years of\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhotography Award’. He was also nominated for the highly prestigious Kyoto Prize (Arts and Philosophy), in Japan.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTestimonials\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDreaming Difference is a visual treat of a book… a celebration of the work of a much respected photographer and educator and a timely reminder of Williams’ key contribution to photography in Scotland.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Harman, Director of Stills\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI own two of David’s photographs which I endlessly enjoy. His personal humanity is communicated through his imagery, which overcomes the technical to reveal the soul beneath. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDame Helen Mirren\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTo enter the world of David’s photography is to enter a world of visual poetry and the realm of the imagination. His restless search for a form of images that convey his emotional and metaphysical engagement with picture making is compelling, and guides us towards a new appreciation of what photography might be… It is a book above all, about the beauty of the image and providing sustenance for the soul.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProfessor John Kippin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI’ve been a lover of David Williams’ photography ever since I first encountered it. His work touches a deep place in us, something ineffable and ungraspable… The work is so delicate, evocative and magical… This is a marvelous book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoan Tollifson, author of \u003cem data-mce-fragment=\"1\"\u003eNothing to Grasp\u003c\/em\u003e and other books on non-duality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDavid must know better than most, having been a professional musician, that being a tribute band is less challenging and rewarding than being an original. And David, through his many personal and photographic explorative journeys, is just that.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaul Hill MBE, FRPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVisiting Professor, De Montfort University, Leicester\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e… David Williams asks precisely the same effort as musicians routinely get:  you have to look many times at his pictures, to revisit them, to savour them, to allow your pace to be reset by them. He works, in effect, not by stories or commissions – but like the musician he still is – by moods gathered together in albums...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e… The pictures gathered here are not about what happened on the day they were made. That is an extraordinarily courageous stance to adopt: it’s a photograph, he seems to say over and over again, but don’t look first at what it’s of. Look (if you can) at what it’s about. And that will be worth your while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrancis Hodgson \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFormerly critic of photography at the Financial Times\u003c\/strong\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":43908788289674,"sku":"Dream1","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/DavecoverforKathires.jpg?v=1698058956"},{"product_id":"dreaming-difference-david-williams-limited-edition","title":"Dreaming Difference Limited Edition - David Williams","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ci\u003e**A very limited edition of Dreaming Difference which comes with a signed, archival pigment ink print only available with these 50 copies**\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci\u003eDreaming Difference is a 176 page book, signed by the artist, lavishly illustrated with colour and black and white images with a very limited edition print included.\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this much anticipated retrospective publication, a glorious gallery of photographs and photographic projects allows you to step inside David Williams’ world and to appreciate its complexity and passion. This beautiful book is full of creative imaginings and philosophical meditations that will reward repeated visits.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWilliams provides a vivid biographical account of his creative development, identifying pivotal influences including an abiding, evolving interest in non-duality. He outlines key moments in a calling that saw him propelled from a career as a musician, to a vocation as an acclaimed photographic artist. Williams’ essay is complemented by an appreciation of his work by Tom Normand, the photo-historian and author of ‘Scottish Photography – a history’. Academic and critical comments on his work expand the appreciation of Williams’ oeuvre.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDavid Williams is an Edinburgh-based photographic artist. He was Head of Photography at Edinburgh College of Art, University of Edinburgh, retiring from ECA in 2017. Prior to becoming involved in photography he was a professional musician and songwriter, employed by Ringo Starr’s publishing house. Williams’ intensely lyrical, visually captivating work is exhibited across the globe and held in various private collections. His photographs have been published and anthologised throughout Europe, in the USA and in Japan. He has been the recipient of numerous prizes and awards. Most notably he was presented with the BBC ‘150 Years of\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhotography Award’. He was also nominated for the highly prestigious Kyoto Prize (Arts and Philosophy), in Japan.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTestimonials\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDreaming Difference is a visual treat of a book… a celebration of the work of a much respected photographer and educator and a timely reminder of Williams’ key contribution to photography in Scotland.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Harman, Director of Stills\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI own two of David’s photographs which I endlessly enjoy. His personal humanity is communicated through his imagery, which overcomes the technical to reveal the soul beneath. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDame Helen Mirren\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTo enter the world of David’s photography is to enter a world of visual poetry and the realm of the imagination. His restless search for a form of images that convey his emotional and metaphysical engagement with picture making is compelling, and guides us towards a new appreciation of what photography might be… It is a book above all, about the beauty of the image and providing sustenance for the soul.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProfessor John Kippin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI’ve been a lover of David Williams’ photography ever since I first encountered it. His work touches a deep place in us, something ineffable and ungraspable… The work is so delicate, evocative and magical… This is a marvelous book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoan Tollifson, author of \u003cem data-mce-fragment=\"1\"\u003eNothing to Grasp\u003c\/em\u003e and other books on non-duality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDavid must know better than most, having been a professional musician, that being a tribute band is less challenging and rewarding than being an original. And David, through his many personal and photographic explorative journeys, is just that.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaul Hill MBE, FRPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVisiting Professor, De Montfort University, Leicester\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e… David Williams asks precisely the same effort as musicians routinely get:  you have to look many times at his pictures, to revisit them, to savour them, to allow your pace to be reset by them. He works, in effect, not by stories or commissions – but like the musician he still is – by moods gathered together in albums...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e… The pictures gathered here are not about what happened on the day they were made. That is an extraordinarily courageous stance to adopt: it’s a photograph, he seems to say over and over again, but don’t look first at what it’s of. Look (if you can) at what it’s about. And that will be worth your while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrancis Hodgson \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFormerly critic of photography at the Financial Times\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e*Due to the very special nature of this product, the usual members discount is not redeemable. Members can, however, claim a 10% discount by typing in \u003cstrong\u003eMEMBER10\u003c\/strong\u003e at the checkout stage of your purchase of this product*\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":43908817780874,"sku":"Dream2","price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/DavecoverforKathires_2fe71ac7-4916-402a-93f6-7b7dcf29eb56.jpg?v=1698059618"},{"product_id":"dreaming-difference-david-williams-soft-back","title":"Dreaming Difference - David Williams - Soft back","description":"\u003cp data-mce-fragment=\"1\"\u003eDreaming Difference is a 176 page book, lavishly illustrated with colour and black and white images, signed by the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this much anticipated retrospective publication, a glorious gallery of photographs and photographic projects allows you to step inside David Williams’ world and to appreciate its complexity and passion. This beautiful book is full of creative imaginings and philosophical meditations that will reward repeated visits.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWilliams provides a vivid biographical account of his creative development, identifying pivotal influences including an abiding, evolving interest in non-duality. He outlines key moments in a calling that saw him propelled from a career as a musician, to a vocation as an acclaimed photographic artist. Williams’ essay is complemented by an appreciation of his work by Tom Normand, the photo-historian and author of ‘Scottish Photography – a history’. Academic and critical comments on his work expand the appreciation of Williams’ oeuvre.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDavid Williams is an Edinburgh-based photographic artist. He was Head of Photography at Edinburgh College of Art, University of Edinburgh, retiring from ECA in 2017. Prior to becoming involved in photography he was a professional musician and songwriter, employed by Ringo Starr’s publishing house. Williams’ intensely lyrical, visually captivating work is exhibited across the globe and held in various private collections. His photographs have been published and anthologised throughout Europe, in the USA and in Japan. He has been the recipient of numerous prizes and awards. Most notably he was presented with the BBC ‘150 Years of\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhotography Award’. He was also nominated for the highly prestigious Kyoto Prize (Arts and Philosophy), in Japan.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTestimonials\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDreaming Difference is a visual treat of a book… a celebration of the work of a much respected photographer and educator and a timely reminder of Williams’ key contribution to photography in Scotland.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Harman, Director of Stills\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI own two of David’s photographs which I endlessly enjoy. His personal humanity is communicated through his imagery, which overcomes the technical to reveal the soul beneath. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDame Helen Mirren\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTo enter the world of David’s photography is to enter a world of visual poetry and the realm of the imagination. His restless search for a form of images that convey his emotional and metaphysical engagement with picture making is compelling, and guides us towards a new appreciation of what photography might be… It is a book above all, about the beauty of the image and providing sustenance for the soul.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProfessor John Kippin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI’ve been a lover of David Williams’ photography ever since I first encountered it. His work touches a deep place in us, something ineffable and ungraspable… The work is so delicate, evocative and magical… This is a marvelous book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoan Tollifson, author of \u003cem data-mce-fragment=\"1\"\u003eNothing to Grasp\u003c\/em\u003e and other books on non-duality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDavid must know better than most, having been a professional musician, that being a tribute band is less challenging and rewarding than being an original. And David, through his many personal and photographic explorative journeys, is just that.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaul Hill MBE, FRPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVisiting Professor, De Montfort University, Leicester\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e… David Williams asks precisely the same effort as musicians routinely get:  you have to look many times at his pictures, to revisit them, to savour them, to allow your pace to be reset by them. He works, in effect, not by stories or commissions – but like the musician he still is – by moods gathered together in albums...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e… The pictures gathered here are not about what happened on the day they were made. That is an extraordinarily courageous stance to adopt: it’s a photograph, he seems to say over and over again, but don’t look first at what it’s of. Look (if you can) at what it’s about. And that will be worth your while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrancis Hodgson \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFormerly critic of photography at the Financial Times\u003c\/strong\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":44283535622282,"sku":"Dream3","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/DavecoverforKathires_9d3a4cd6-fdf2-42c9-813b-581aab4f60eb.jpg?v=1707482169"},{"product_id":"robin-gillanders-ian-hamilton-finlay-little-sparta-and-collaborations","title":"Robin Gillanders - Ian Hamilton Finlay: Little Sparta and Collaborations","description":"\u003cp data-mce-fragment=\"1\"\u003eThe book presents important photographs made at Little Sparta, the garden of artist\/poet Ian Hamilton Finlay and collaborations with him, undertaken by Robin Gillanders between 1993 until Finlay’s death in 2006. Additional photographs made after 2006 relating to Finlay and Little Sparta are also included.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGillanders was a major collaborator and close friend of Finlay. He has exhibited nationally and internationally and has photographs in many important institutional collections. This will be his sixth book.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book is published by \u003cem data-mce-fragment=\"1\"\u003eStudies in Photography \u003c\/em\u003eand is the first in our new series \u003cem data-mce-fragment=\"1\"\u003eThemes in Photography.\u003c\/em\u003e 150 pages hardback. 265 x 210.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo versions of the book are available both as hardbacks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStandard hardback - £30.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe other limited to 50 copies with a signed print -£90\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":44544138772618,"sku":"Sparta1","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/Picture1.jpg?v=1711472330"},{"product_id":"robin-gillanders-limited-edition-ian-hamilton-finlay-little-sparta-and-collaborations","title":"Robin Gillanders - LIMITED EDITION - Ian Hamilton Finlay: Little Sparta and Collaborations","description":"\u003cp data-mce-fragment=\"1\"\u003eThe book presents important photographs made at Little Sparta, the garden of artist\/poet Ian Hamilton Finlay and collaborations with him, undertaken by Robin Gillanders between 1993 until Finlay’s death in 2006. Additional photographs made after 2006 relating to Finlay and Little Sparta are also included.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGillanders was a major collaborator and close friend of Finlay. He has exhibited nationally and internationally and has photographs in many important institutional collections. This will be his sixth book.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book is published by \u003cem data-mce-fragment=\"1\"\u003eStudies in Photography \u003c\/em\u003eand is the first in our new series \u003cem data-mce-fragment=\"1\"\u003eThemes in Photography.\u003c\/em\u003e 150 pages hardback. 265 x 210.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo versions of the book are available both as hardbacks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStandard hardback - £30.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe other limited to 50 copies with a signed print - £90\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":44544142278794,"sku":"SpartaLimted1","price":90.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/Picture1_3fdf2dc0-6621-4b95-adf9-9ca69c9d69c8.jpg?v=1711472361"},{"product_id":"ians-fleet-robin-gillanders","title":"Ian's Fleet - Robin Gillanders","description":"\u003cp\u003eA limited edition puiblication featuring “a sequence of 15 photographs taken by Robin Gillanders of the fleet of boats made by Ian Hamilton Finlay. This 'regatta' took place on Lochan Eck, Stonypath, Little Sparta, in June 2002”, 15 b\/w photographs of tiny model sailboats made by \u003cstrong data-mce-fragment=\"1\"\u003eIan Hamilton Finlay\u003c\/strong\u003e accompanied by Ian’s poem ‘The Hanky Sails’ serving as an introduction. \u003c\/p\u003e\n\u003cp\u003eSoft cover, 20 x 24 cm\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":44756278345866,"sku":"Fleet1","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/IansFleet.jpg?v=1713533828"},{"product_id":"father-eoin-carey","title":"Father - Eoin Carey","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eFather \u003c\/em\u003eis a photographic series and publication by photographer Eoin Carey that focuses on the tender and tired routines of everyday parenthood. Created over two years with participants from Glasgow and Edinburgh, \u003cem\u003eFather \u003c\/em\u003edocuments unstaged, candid moments of fathers with their children.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe project addresses Society's changing attitude towards childcare as dads share the care of their children more than previous generations. A greater movement towards paternity leave and shared care is emerging to empower men and families. Still, however, stereotypes of fathers remain as either heroes, incompetent or simply absent. This series documents fathers' time with their children that gets away from stereotypes and instead shows a routine familiar to many, that is exhausting, mundane and stressful but also very beautiful, intimate and rich. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":55184255648121,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/FatherVol1.png?v=1746614772"},{"product_id":"alternative-photography-art-and-artists-edition-2","title":"Alternative Photography: Art and Artists, Edition 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStep into a world where light, chemistry, and creativity collide. This book showcases the work of 137 artists pushing the boundaries of alternative photographic processes. From cyanotypes and gum bichromates to platinum prints and lumens, these artists revive and reinvent historical techniques to create unique, handcrafted images.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach artist presents a selection of their best work, accompanied by a bio and personal statement that offers insight into their process and inspiration. Whether you are an artist, collector, or simply curious, you'll discover new perspectives, fresh inspiration, and a deeper appreciation for photography beyond the digital realm.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrought to you by AlternativePhotography.com, the leading source for alternative process photography, this book is an essential guide for anyone passionate about photography as an expressive, hands-on craft.\u003c\/span\u003e\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":55298583396729,"sku":"","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/51-esGUgV3L._SL1250.jpg?v=1749040040"},{"product_id":"the-killing-time","title":"The Killing Time","description":"\u003cp\u003e\u003cspan\u003eMy family history in the South West of Scotland goes back ten generations - at least - and is deeply entwined with the troubled events of the late 17th Century - the Covenanters and the dark period known as The Killing Times. Researching my forebear John Milroy, one of the Lads of Kirkcalla - three men connected to the story of the Solway Martyrs - has taken me on an emotional journey through time, visiting \u0026amp; documenting locations and stories; and meeting other descendants. John, along with two other men, William Johnson and George Walker, shares a grave in Wigtown churchyard with Margaret Wilson and Margaret MacLaughlin, the Solway Martyrs, two women who were tied to wooden stakes and drowned in the Bladnoch River on May 11th 1685 for their refusal to swear the Oath of Abjuration. The three men were hanged later the same year, for the same reason. The images and writing are collected together in \u003cem\u003eThe Killing Time\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003ea body of photographs and words set for publication and exhibition in June 2025. 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Her 2023 debut novel, Voracious, published to instant critical acclaim, is forthcoming in English from Linden Editions in 2025. A photographer and ultramarathon runner, Lebda ran 1113 kilometres along Poland's longest river, Wisla, to draw attention to the environmental fragility of all rivers. 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In your hands now: our geological and environmental past, present and future.  \u003c\/span\u003e\u003cstrong\u003eFog on chalk in sea.\u003c\/strong\u003e\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":55619347972473,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/conversation-opening2-scaled.jpg?v=1756905751"},{"product_id":"james-reid-edinburgh-an-architectural-portrait","title":"James Reid - Edinburgh: An Architectural Portrait","description":"\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eEdinburgh: An Architectural Portrait \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003efeatures an inspiring portfolio of imagery created over a ten-year period by the photographer and visual artist James Reid. 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These include panoramic views as well as more intimate perspectives, made possible by Reid’s unique access to the city’s various buildings and structures of note.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book also features essays by five established Edinburgh-based artists – Aly Gordon (painter), Bruce Hare (artist and architect), Marianne Magnin (artist and curator), Merlin Ramos (painter) and Henry Stevens (artist and architect) – each of whom offers a personally informed response to the city and how its architecture, art and history inform, influence and impact on them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe resulting publication is a unique visual mapping of the city’s most architecturally significant areas that will appeal to not only architects, artists and academics, but also residence of and visitors to one of the world’s most architecturally rich capitals of culture.\u003c\/span\u003e\u003c\/p\u003e","brand":"studiesinphotography","offers":[{"title":"Default Title","offer_id":55637575631225,"sku":null,"price":34.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0352\/6511\/8346\/files\/81CEWR4-DeL._SL1500.jpg?v=1755101048"},{"product_id":"alicia-bruce-i-burn-but-i-am-not-consumed","title":"Alicia Bruce - I Burn But I Am Not Consumed","description":"\u003cp class=\"\"\u003e\u003cstrong\u003eI Burn But I Am Not Consumed\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebrings together photographs and an archive collated by photographer Alicia Bruce and the residents of Menie, Scotland. 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The practice presents a tragic dialectic. By submitting to a personal loss, a woman may be assured of membership in a community. Her alternative is to remain intact and enter into exile. It is an impossible choice.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFor this work, Pradip Malde (Tanzania, 1957) returned to his birth country after an absence of forty-six years. WITH Sarah Mwaga, founder of the Anti Female Genital Mutilation Network (AFNET), he traveled more than 3,000 miles over three years, visiting remote communities to converse with and to photograph activist women (victims of FGM\/C), the sacred sites where these rituals take place, and the cutting tools used by ngariba (Swahilli for “circumcisers”) who have renounced the practice.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMalde received a John Simon Guggenheim Foundation Fellowship in 2018 to complete the project. 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